نشریه مطالعات دفاع مقدس
سال ششم شماره 2 (پیاپی 22، تابستان 1399)

The cinema and cinema movies are important cultural and artistic productions leaving profound effects on the culture of societies. Likewise, the system of Quranic teachings, is an important issue in the Islamic Iranian society. This research is aimed at identifying and explaining the Islamic teachings to introduce and apply them in various aspects of Muslims’ life. The significance of the Quranic instructions in the lives of the Muslims, and the important position of cinema and cinema movies in different aspects of the society have made the researchers to identify the Quranic teachings system and its reflection in the Abu Ghoraib Strait movie.  Hence, the research question is posed as: “How is the Quranic education system reflected in the Abu Ghoraib Strait movie?” This is a descriptive-analytic research whose data is collected from library and documentary sources. The results indicated that in Abu Ghoraib Strait movie, the Quranic instruction system is reflected in the characterization of each of the actors. In terms of the content of Abu Ghoraib Strait movie, it can be said that in addition to the components of Quranology, individual and civil regulations and other teachings of the Quranic system are included in the script, among which the international rules are the most central ones.

Khyber Bridge, known as one of the longest floating military bridges in the world, is made of sustainable materials against bombing. A number of army engineers and some others from Jihad Sazandegui were dispatched to the southern Iranian regions in 1984, and held a meeting aimed at building a bridge over Hoor Al-Azim. To build this floating bridge, all materials such as wood, metal, fiberglass and air blowing methods were discussed. Finally, a combination of fiberglass and foam was selected, due to the fact that they were suitable for filling the cracks in the joints caused by welding. Given that Kheibar Bridge is a masterpiece of engineering built in the situation full of all types of shortcomings and sanctions, it is necessary to study it to benefit from its valuable experiences; Therefore, this study dealt with the necessity of its construction and its method of construction first, and then, assessed its strengths and weaknesses.

This study is aimed at identifying the strategies that Martyr Lieutenant General Ali Sayyad Shirazi applied while commanding in the era of the holy defense. This is a qualitative research which follows documentary analysis. One of the most significant aspect of the Holy Defense which has not been considered enough in historiography of the Iran-Iraq war, regards the essential roles that the commanders played in the management and strategic decision making in the war. These strategies were the most serious military decisions having affected the outcome of the war. Hence, the researchers have tried to point out some of the commanding strategies of Martyr Lieutenant General Ali Sayad Shirazi. Making use of his extraordinary tact in commanding, he became one of the most influential commanders of the Holy Defense who led to defeat the goals of the invading Iraqi divisions that enjoyed the support of other countries as well. Moreover, his valuable and successful commanding and management model at different levels can be referred to in the training of the future generation commanders. The results of this study illustrated that Martyr Ali Sayyad Shirazi, led the war to victory in the most eventful period of the imposed war by designing and planning operations, controlling and organizing the affairs of the front, employing his military expertise, genius, and commanding power. Therefore, following the life story of this great martyr, young generation of these days can acquire great lessons and messages. By understanding the secrets of his success, they can make a great model from him.

The Ba'athist regime of Iraq started an eight-year unjust war against Iran on September 22, 1980 for various geopolitical and ideological reasons. Regional and trans-regional actors reacted to this war based on the situations which occurred. The role of Jordan Kingdom in supporting the Ba'athist regime of Saddam was more evident for objective and subjective reasons. During the war, Jordan Kingdom supported Saddam critically, providing political, intelligence, military and economic support at the regional and international levels. Many political analysts believe that Jordan Kingdom was known as the most prominent supporter of Saddam Hussein in the Arab world. This research is intended to clarify the behavior of the Kingdom of Jordan in relation to the invasion of Iran by the Iraqi Ba'athist regime, and that why it selected serious military-intelligence policies and practices against Iran. Furthermore, Jordan's behavior in the war and specially the role of King Hussein in supporting the regime is being investigated too. Accordingly, the main question of this study enclosed what the political, military and intelligence practices of the Jordanian government in relation to the Ba'athist regime of Iraq’s war against Iran. The authors then proposed their findings on why Jordan took military, political and intelligence measures to support the Ba'athist regime of Iraq in the eight-year war against Iran. This is a descriptive-analytical research the data collection of which is performed by documentary method. The results indicated that Jordan Kingdome played a very effective role in sustaining the Ba'athist regime of Iraq in the imposed war against Iran by resorting to the most essential military, intelligence measures.

The imposed war of the Ba'athist regime of Iraq against Iran (1980-1988) posed great influence in various fields of Iranian culture and art. The event of the imposed war, like the processes of the Islamic Revolution itself, draw the attention of a number of artists who were able to create new principles and criteria for conveying the content, and influence the process by presenting their perceptions of the event of the war in their works. Works of visual artists in Khuzestan province, as one of the most affected regions of the country having experienced the misery of war and many misfortunes, are more significant; However, lack of sufficient information about visual artists in Khuzestan province in the era of the imposed war deprives us from a full study; Therefore, this study is intended to identify such artists and evaluate their works. The question of this research concentrates on the visual artists of Khuzestan province during the imposed war and the way that this event has posed on their works. Moreover, in addition to the identification of the visual artists of Khuzestan province who tried to record national culture and art during the imposed war, this study will try to investigate the effect of the imposed war on their works from 1980 to 1988. This descriptive-analytical research follows developmental purpose and is based on library resources as well as a great deal of field researches. Having introduced the unknown artists of Khuzestan province in various visual fields, the research proposes that the effects of the imposed war on these artists’ works, method of representation, types of themes, use of visual elements and symbolism are quite significant.

The right of duplication of scientific works aiming at preserving them by public libraries as an exception in copyright and publication was neglected in the laws of the Iranian intellectual right. The “Regulations on the Preservation of Documents and evidences of the Holy Defense” published in the official gazette in December 2018, as the first bylaw in the legal system of the country, considered that the right of electronic duplication, under certain circumstances, are permissible for executive systems and related bodies of the public libraries.  The copies of the documents are supposed to be kept as classified documents. According to the French Intellectual Property Law (September 2018), French public libraries can make copies of scientific works aiming at the protection of these works. It is worth mentioning that the right to duplicate a library copy of the works is permitted under certain conditions in both countries. As disregarding these provisions are regarded as law-breaking deeds, any kind of unauthorized duplication or making copies for commercial purposes by the librarians can be a criminal deed by the doer or by the library, or both. This is a descriptive-analytical research whose main purpose is to clarify copyright for libraries, and to explain the legal liabilities of disregarding the provisions.